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NewsLetter Serviço de Documentação e Informação |
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N.º 2 Janeiro 2006 |
Nota de Abertura
Atendendo a vários pedidos dos nossos utilizadores, no sentido de disponibilizar uma lista com as obras recentemente adquiridas pelos vários departamentos, a biblioteca da FBAUP resolveu dedicar o 2º número da sua Newsletter, inteiramente à divulgação desses mesmos títulos (cerca de 400).
Salientamos, no entanto, que nem todos os títulos presentes nesta Newsletter se encontram disponíveis para leitura, tarefa que será realizada tanto breve quanto possível.
A B C D E F G H I J K L M N O P Q R S T U V X Y W Z
Ackerman, James S. - Origins, imitation, conventions: representation in the visual arts. Cambridge: The MIT Press, 2002.
Ades, Dawn - Photomontage. London: Thames & Hudson, 1976.
Agamben, Giorgio - A Comunidade que vem. Lisboa: Editorial Presença, 1993.
Ahtila, Eija-Liisa - Fantasized persons and taped conversations. Helsinki: Kiasma Museum of Modern Art, 2002.
Alberro, Alexander - Lawrence Weiner. New York and London: Phaidon Press, 1998.
Alberto Giacometti: el diálogo con la historia del arte. Valencià: IVAM Centre Julio González, 2001.
Alechinsky au pays de l'encre. Paris: Centre Georges Pompidou, 1998.
Almeida, Carlos Alberto Ferreira de - História da arte em Portugal: o româco. Lisboa: Editorial Presença, 2001. Vol. 1.
Alternative Art New York, 1965-1985. New York: The Drawing Center, 2003.
Antony Gormley: some of the facts. [London?]: Tate St. Ives, 2001.
Archer, Michael; Brett, Guy; Zegher, Catherine - Mona Hatoum. London: Phaidon Press, 1997.
Ardenne, Paul - Un Art contextuel. Paris: Flammarion, 2004.
Ardenne, Paul; Beausse, Pascal; Goumarre, Laurent - Pratiques contemporaines: l'art comme expérience. Paris: éditions dis Voir, [199?].
Artaud, Antonin; Guinsburg, J. (org.) - Linguagem e vida. São Paulo: Perspectiva, 2004.
The Art of Rebellion. Corte Madera: Gingko Press, 2003.
Augé, Marc - As Formas do esquecimento. Almada: íman Edições, 2001.
Bagnoli, Alessandro [et al.] - Duccio: Siena fra tradizione bizantina e mondo gotico. Milano: Silvana Editoriale, 2004.
Baines, Phil; Haslam, Andrew - Type and typography. London: Lawrence King Publishing, 2002.
Balthus: les dessins. Paris: ADAGP, 1998.
Baqué, Dominique - La Fotografía plástica: un arte paradójico. Barcelona: Gustavo Gili, 2003.
Barker, Chris - Cultural studies: theory and practice. London: Sage Publications Ltd., 2003.
Bataille, Georges - A Parte maldita: precedido da noção de despesa. Lisboa: Fim de Século, 2005.
Battistini, Matilde - Astrologia, magia, alchimia. Milano: Electa, 2004.
- Simboli e allegorie. Milano: Electa, 2002.
Beard, Mary; Henderson, John - Classical art: from Greece to Rome. Oxford: The Oxford University Press, 2001
Beecroft, Vanessa - Vanessa Beecroft: performances 1993-2003. Milano: Skira Editore, 2003.
Béguin, Sylvie; Piccinini, Francesca (coord.) - Nicolò Dell'Abate: storie dipinte nella pittura del cinquecento tra modena e Fontainebleau. Milano: Silvana Editoriale, 2005.
Bell, Julian - What is painting? representation and modern art. London: Thames & Hudson, 1999.
Berger, John [et al.] - Stories after the works of Juan Muñ silence please. Dublin: The Irish Museum of Modern Art, 1996.
Bermingham, Ann - Learning to draw: studies in the culture history of a polite and useful art. New Haven & London: Yale University Press, 2000.
Bermúdez, José Luis; Marcel, Anthony; Eilan, Naomi (ed.) - The Body and the shelf. Cambridge: The MIT Press, 2001.
Bernández, Carmen; Lootz, Eva - Eva Lootz: dibujos. Granada: Ed. Diputación de Granada, 2000.
Beuys, Joseph - Joseph Beuys: un panorama de l'oeuvre. Lausanne: La Bibliothèque des Arts, 2001.
Biesenbach, Klaus (ed.) - Henry Darger: disasters of war. New York: Contemporary Art Center, 2001.
Bjurstrom, Per - The Art of drawing in France 1400-1900: drawings from the Nationalmuseum, Stockholm. New York: The Drawing Center, 1987.
Blazwick, Iwona (ed.) - Century city: art and culture in the modern metropolis. London: Tate Gallery, 2001.
Blockhead & daddies bighead: Paul Mccarthy at Tate Modern. London: Tate Publishing, 2003.
Blomm, Barbara; Dumas, Marlene [et al.] - Marlene Dumas. New York: Phaidon, 1999.
Blossfeldt, Karl; Wilde, Ann; Wilde, Jurgen (ed.) - Karl Blossfeldt: working collages. Cambridge: The MIT Press, 2001
Boardman, John - Early Greek vase painting: 11th-6th Centuries BC. London: Thames & Hudson, 1998.
Bock, Jurgen - Da Obra ao texto: diálogos sobre a prática e a crítica na arte contemporâa. Lisboa: Centro Cultural de Belém, 2002.
Boettger, Suzaan - Earthworks: art and the landscape of the sixties. Berkeley: University of California Press, 2002.
Bohm-Duchen, Monica -Chagall. London: Phaidon Press, 2001.
Bois, Yve-Alain - Art since 1900: modernism, antimodernism, postmodernism. London: Thames & Hudson, 2004.
Bolter, Jay David; Grusin, Richard - Remediation: understanding new media. Cambridge and London: The MIT Press, 1999.
Bonnefoy, Yves - Le Nuage rouge: dessin, couleur et lumière. Paris: Gallimard, 1999.
Bordes, Juan - História de las teorias de la figura humana: el dibujo, la anatomia, la proporción, la fisiognomia. Madrid: Cátedra, 2003.
Boubli, Lizzie - Savoir-faire: la variante dans le dessin italien au XVI siécle. Paris: Musée du Louvre, 2003.
Bourdieu, Pierre (dir.) - Un Art moyen: essai sur les usages sociaux de la photographie. Paris: Les éditions de Minuit, 2003.
Bourriaud, Nicolas - Relational aesthetics. [Paris?]: Les Presses du Réel, 2004.
Bowen, Ron - Drawing masterclass. London: Leopard Books, 1995.
Breward, Christopher - Fashion. Oxford: The Oxford University Press, 2003.
Bruno Latour; Weibel, Peter (ed.) - Iconoclash: beyond the image wars in science, religion and art. Cambridge: The MIT Press, 2002.
Brusatin, Manlio - Histoire de la ligne. Paris: Flammarion, 2002.
Buck Jr., Robert T. - Richard Diebenkorn: paintings and drawings 1943-1980. New York: Albright-Knox Art Gallery, 1980.
Buchloh, Benjamin H. D.- Neo-avanguarde and culture industry: essays on european and american art from 1955 to 1975. Cambridge: The MIT Press, 2000.
- Photography and painting in the work of Gerhard Richter: four essays on Atlas. Llibres de Recerca, 2000.
Buchloh, Benjamin H. D.; Gingeras, Alison M.; Basualdo, Carlos - Thomas Hirschhorn. London: Phaidon Press, 2004.
Burgin, Victor - In Different spaces: place and memory in visual culture. California: University of California Press, 1996.
Buskirk, Martha - The Contigent object of contemporary art. Cambridge: The MIT Press, 2003.
Buskirk, Martha; Nixon, Mignon (ed.) - The Duchamp effect. Cambridge and London: The MIT Press, 1996.
Cacciari, Massimo - Le Dieu qui danse. Paris: éditions Grasset & Fasquelle;
éditions Mollat, 2000.
Cage, John - Empty words. Hanover: Wesleyan University Press, 1981.
- Silence: lectures and writings. Middletown: Wesleyan University Press, 1973.
Caldas, Alexandre Castro - A Herança de Franz Joseph Gall: o cérebro ao serviço do comportamento humano. Lisboa: McGraw-Hill, 2000.
Camille, Michael - Image on the edge: the margins of medieval art. London: Reaktion Books, 2004.
Campany, David (ed.) - Art and photography. New York and London: Phaidon Press, 2003.
Carlos, Isabel - Glamour: arte seduzida e sedutora. Porto: Público, 2005.
Carmelo, Luís - Músicas da Consciêia: entre as neurociêias e as ciêias do sentido. Mem Martins: Publicações Europa-América, 2002.
Casella, Gabriella - Gramáticas de pedras: levantamento de tipologias de construção murária. Porto: Centro Regional de Artes Tradicionais, 2003.
Casey, Edward - The Fate of place: a philosophical history. Berkeley: The University of California Press, 1998.
Casqueiro, Pedro - Pedro Casqueiro. Lisboa: Assírio & Alvim, 2002.
Castro, Lourdes - Grand herbier d'ombres: Lourdes Castro. Lisboa: Assírio e Alvim, 2002.
Causey, Andrew - Sculpture since 1945. Oxford: The Oxford University Press, 1998.
Caws, Mary Ann (ed.) - Surrealism. New York and London: Phaidon Press, 2004.
Chafes, Rui - Durante o fim. Lisboa: Assírio & Alvim, 2000.
- Um Sopro (1998-2002). Porto: Galeria Graça Brandão, 2003.
Chandler, Annmarie; Neumark,Norie (ed.) - At a Distance: precursors to art and activism on the internet. London: MIT Press, 2005.
Chapman, Hugo; Henry, Tom; Plazzotta, Carol - Raphaello: da Urbino a Roma. Milano: 5 Continents Editions, 2004.
Checa Cremades, F.; Garcia Felguera, M.S.; Móran, J.M. - Guia para el estudio de la historia del arte. Madrid: édiciones Cátedra, 1999.
Cheng, François - Vide et plein. Paris: éditions du Seuil, 1991.
Chevrier, Jean-François - Övind Fahlströanother space for painting. Barcelona: MACBA/ACTAR, 2001.
Chiarini, Marco; Darr, Alan P.; Giannini, Cristina (coord.) - L' Ombra del genio: Michelangelo e l' arte a Firenze 1537-1631. Milano: Skira, 2002.
Chion, Michel - La audio-visión: introdución a un análisis conjunto de la imagen y el sonido. Barcelona: Paidós, 1993.
- The Voice of cinema. New York: The Columbia University Press, 1999.
Ciardi, Roberto Paolo; Natali, Antonio (coord.) - Storia delle arti in Toscana: Il cinquecento. Firenze: Edifir, 2000.
Coles, Alex (ed.) - The Optic of Walter Benjamin. London: Black Dog, 1999.
Corrin, Lisa Graziose [et al.] - Mark Dion. New York and London: Phaidon Press, 1997.
Costa, João Bénard da - Luis Buñ - [Lisboa]: Cinemateca Portuguesa; Museu do Cinema, 2000.
- John Ford. [Lisboa]: Cinemateca Portuguesa; Museu do Cinema, 1997.
Costamagna, Philippe; Hä, Florian; Valenti, Simonetta Prosperi (coord.) - Rodinò. Disegno, giudizio e bella maniera:studi sul disegno italiano in onore di Catherine Monbeig Goguel. Milano: Silvana Editoriale, 2005.
Cotton, Charlotte - The Photograph as contemporary art. London: Thames & Hudson, 2004.
Crary, Jonathan - Suspensions of perception: attention, spectacle and modern culture. Cambridge: The MIT Press, 2001.
Cross, Susan (introd.) - Bruce Nauman: theatres of experience. New York: The Solomon R. Guggenheim, 2003.
Crow, Thomas - Gordon Matta-Clark. New York and London: Phaidon Press, 2003.
- The Rise of the sixties: American and European art in the era of dissent. New York: Harry N. Abrams, 1996.
Cuzin, Jean-Pierre - Fragonard. Milan: 5 Continents
Editors, 2003.
D
Damianovic, Maia; Pinto, Robert; Bourriaud, Nicolas - Lucy Orta. New York and London: Phaidon Press, 2003.
De Beuys à Trockel: dessins contemporains du Kunsmuseum de Bâ. Paris: Centre George Pompidou, 1996.
Dean, Tacita; Millar, Jeremy - Place. London: Thames & Hudson, 2005.
Delamare, François; Guineau, Bernard - Colour: making and using dyes and pigments. London: Thames & Hudson, 2000.
Deleuze, Gilles - Pourparlers: 1972-1990. Paris: Les éditions de Minuit, 2003.
Derrida, Jacques; Artaud, Antonin; Thevenin, Paul - Antonin Artaud: dessins et portraits. Munique: Gallimard, 1986.
Dery, Mark - Velocidad de escape: la cibercultura en el final de siglo. Madrid: Ediciones Siruela, 1998.
Doherty, Claire - Contemporary art: from studio to situation. London: Black Dog Publishing, 2004.
Doss, Erika - Twentieth-Century american art. Oxford: Oxford University Press, 2002.
Dubois, Philippe - O Acto fotográfico. Lisboa: Edições Vega, 1992.
Dubuffet, Jean; Husslein-Arco, Agnes (ed.) - Jean Dubuffet: trace of an adventure. London: Prestel, 2004.
Duby, Georges; Laclotte, Michel (dir.) - A Idade Média. Lisboa: Quetzal Editores, data. 2 vols.
Duchamp, Marcel - Engenheiro do tempo perdido: entrevistas com Pierre Cabanne. Lisboa: Assírio & Alvim, 2002.
Duncombe, Stephen (ed.) - Culture resistence reader. London: Verso Books, 2002.
During, Simon (ed.) - The Cultural studies reader. New York: Routledge, 1999.
Durozoi, Gérard - History of the surrealist movement. Chicago and London: The University of Chicago Press, 2002.
Duve, Thierry de - The Definitively unfinished Marcel Duchamp. London: MIT Press; Nova Scotia College of Art & Design, 1992.
Eco, Umberto - Sobre os espelhos e outros ensaios. Lisboa: DIFEL, 1985.
Edge, Cutting (ed.) - Desire by design: body, territories, and new technologies. London: I.B. Tauris, 1999.
Eisler, Colin - Sculptors' drawings over six centuries 1400-1950. New York: Agrinde Publications, 1981.
Elkins, James - The Object stares back: on the nature of seeing. New York: Harcourt Brace & Company, 1997.
Erlande-Brandenburg, A. - Le Sacre de l'artiste: la création au Moyen Age XIVe-XVe siècle. Paris: Fayard, 2000.
éthique, Esthétique, Politique. Arles: éditions Actes Sud, 1997.
FahlströÖvind - Övind Fahlströu>. Barcelona: MACBA, 2001.
Falletti, Franca; Katz, Jonathan Nelson (coord.) -. Venus and love: Michelangelo and the new ideal of beauty. Firenze: Giunti, 2002.
Farr, Dennis; Bradford, William - The Northern landscape: Flemish, Dutch and British drawings from the courtauld collections. New York: The Drawing Center, 1986.
Ferguson, George - Signs and symbols in christian art. Oxford and New York: The Oxford University Press, 1954.
Field, Richard - Mel Bochner: thought made visible, 1966-1973. New Haven: The Yale University Art Gallery, 2000.
Fleck, Robert - Franz West. New York and London: Phaidon Press, 1999.
Flusser, Vilém - The Shape of things: a philosophy of design. London: Reaktion Books, 1999.
Foster, Hal - Compulsive beauty. Cambridge and London: The MIT Press, 1993.
- Design and crime: and other diatribes. London and New York: Verso, 2003.
- Prosthetic Gods. Cambridge and London: The MIT Press, 2004.
Frascina, Francis - Art, politics and dissent. Manchester and New York: Manchester University Press, 1999.
Freeland, C. - Pero esto es arte? una introducción a la teoria del arte. Madrid: édiciones Cátedra, 2003.
Gablik, Suzi - The Reenchantment of art. London: Thames & Hudson, 1994.
Gadamer, Hans-Georg - Verdade e método I: traços fundamentais de uma hermêica filosófica. Rio de Janeiro: Editora Vozes, 2004.
- Verdade e método II: complementos e índice. Rio de Janeiro: Editora Vozes, 2004.
Gale, Matthew - Dada & surrealism. London: Phaidon Press, 2002.
Gallo, Max - The poster in history. New York: W.W. Norton & Company, 2001.
Garrels, Garry - Drawing from the modern 1945-1975. New York: The Museum of Modern Art of New York, 2005.
Il Genio di Roma: 1592-1623. Milano: Rizzoli Libri Illustrati, 2001.
Giorgi, Rosa - Angeli e demoni. Milano: Electa, 2003.
- Santi. Milano: Electa, 2002.
Godfrey, Tony - Conceptual art. London: Phaidon, 2004.
Goetz, Ingvild; Urbaschek, Stephan - Fast forward: media art Sammlung Goetz. Karlsruhe: Ingvild Goetz; Stephan Urbashek, 2003.
Goguel, Catherine Monbeig (coord.) - Francesco Salviati:o la bella maniera. Milano: Electa, 1998.
Goldberg, Roselee - Laurie Anderson. London: Thames & Hudson, 2000.
Goldstein, Nathan - Figure drawing: the structure, anatomy, and expressive design of human form. New Jersey: Upper Saddle River, 2004.
Gordon, Bob; Gordon, Maggie - The Complete guide to digital graphic design. London: Thames & Hudson, 2002.
Gordon, Kim - Christian Marclay. New York and London: Phaidon Press, 2005.
Graham, Dan - Dan Graham by Dan Graham. Chiba City (Japan): Chiba City Museum of Art; Kitakyushu Municipal Museum of Art, 2003.
Graham, Rodney - Rodney Graham: a little thought. Los Angeles: The Museum of Contemporary Art, 2004.
Grant, Barry Keith (ed.) - Documenting the documentary: close readings of documentary film and video: contemporary film and television series. Detroit: The Wayne State University Press, 1998.
Grau, Oliver - Virtual art: from illusion to immersion. Cambridge: The MIT Press, 2003.
Greenberg, Reesa; Ferguson, Bruce W.; Nairne, Sandy (ed.) - Thinking about exhibitions. London: Routledge, 1996.
Gregori, Mina - Storia delle arti in Toscana: Il Seicento. Firenze: Edifir, 2001.
Greimas, A.J.; Kristeva, J. - Práticas e linguagens gestuais. Lisboa: Vega, 1992.
Guasch, Ana Maria - Los manifestos del arte posmoderno: textos de exposiciones, 1980-1995. Madrid: Akal Ediciones, 2000.
Guillaume, Marc - A Política do património. Porto: Campo das Letras, 2003.
Gumpert, Lynn - Christian Boltanski. Paris: Flammarion, 2001.
Hamilton, Richard - Richard Hamilton: collected words. London: Thames & Hudson, 1982.
Harris, John; Higgott, Gordon - Inigo Jones: complete architectural drawings. New York: The Drawing Center, 1989.
Harrison, Charles - Essays on art & language. London: MIT Press, 2001.
Harrison, Martin - In Camera Francis Bacon: film, photography and the practice of painting. Londo: Thames & Hudson, 2005.
Hart, John - The Art of storyboard: storyboarding for film, TV, and animation. Boston: Focal Press, 1998.
Harvey, David; Lefebvre, Henri - The Production of space. Malden: Blackwell Publishers, 1991.
Hayles, Katherine - How we become posthuman: virtual bodies in cybernetics, literature and informatics. Chicago: The University of Chicago Press, 1999.
Heidegger, Martin - The Question concerning technology and other essays. New York: Harper and Row, 1977.
Heller, Steven; Ilié, Mirko - Icons of graphic design. London: Thames & Hudson, 2001.
Heyden, Julian; Lingwood, James; Vettese, Angela - Thomas Schüu>. New York and London: Phaidon Press, 1998.
Heywood, Ian; Sandywell, Barry (ed.) - Interpreting visual culture: explorations in the hermeneutics of the visual. London: Routledge, 2001.
Highmore, Ben - Everyday life and cultural theory: an introduction. London: Taylor & Francis Books, 2002.
Hill, Gary - Gary Hill. Valencia: IVAM Institut Valencià d'Art Modern, 1993.
Hill, Paul; Cooper, Thomas - Diálogo con la fotografía. Barcelona: Editorial Gustavo Gili, 2001.
Himanen, Pekka - The Hacker ethic: and the spirit of the information age. New York: Random House, 2001.
L'histoire du Jazz. Paris: Service International de Presse, [19--].
História ilustrada de las formas artísticas. Milan: Alianza Editorial, 1990. 3; 5 vol.
Hobbs, Roberts - Mark Lombardi: global networks. New York: Independent Curators International, 2003.
Hoffmann, Jens; Jonas, Joan - Perform. London: Thames & Hudson, 2005.
Honour, Hugh; Fleming, John - Historia mundial del arte. Barcelona: Akal, 2004.
Hopkins, David - After modern art: 1945-2000. Oxford: Oxford University Press, 2000.
Impelluso, Lucia - Eroi e dei dell'antichità. Milano: Electa, 2002.
In Search of the Perfect Lover. Art Pub Inc., 2003.
Instituto Valenciano de Arte Moderno - Gordon Matta-Clark. Valencia: IVAM Centre Julio González, 1993.
Itten, Johannes - L'étoile des couleurs. Paris: Dessain et Tolra, 1986.
Iversen, Margaret; Crimp, Douglas; Bhabha, Homi K. - Mary Kelly. London: Phaidon Press, 1997.
Ives, Colta Feller - Daumier drawings. New York: Metropolitan Museum of Art, 1993.
Jaar, Alfred - It is difficult: ten years. Barcelona: ACTAR, 1998.
Jenks, Chris - Visual culture. London: Routledge, 1995.
Joannides, Paul - Michelangelo. Milan: 5 Continents Editions, 2003.
Jocoby, Helmut(ed.) - El Dibujo de los arquitectos. Barcelona: Editorial Gustavo Gili, 1981.
Johnson, Geraldine - Renaissance art: a very short introduction. Oxford: Oxford University Press, 2005.
Johnson, P. - The Renaissance. London: Phoenix, 2002.
Jones, Kellie; Golden,Thelma; Iles, Chrissie - Lorna Simpson. New York and London: Phaidon Press, 2002.
Joselit, David - American art since 1945. London: Thames & Hudson, 2003.
Juda, Annely; Juda, David; Chillida, Eduardo - Eduardo Chillida: fifty years of drawing. London: Annely Juda Fine Art, 2003.
Judd, Donald - Complete writings: 1959-1975. Nova Scotia, Canada: The Press of the Nova Scotia College of Art and Design, 2005.
- Donald Judd: architecture. Ostfildern-Ruit: Hatje Cantz, 2003.
Jü Ernst - El Mundo transformado; el instante peligroso. Valencia: Pre-Textos, 2005.
Kelley, Mike - The Uncanny. Liverpool: Tate Gallery, 2004.
Kelly, Mary - Post-Partum document. Berkeley and Los Angeles: University of California Press, 1999.
Kelly, James J. - The Sculptural idea. Illinois: Waveland Press, 1981.
Kemp, Martin - Behind the picture: art and evidence in the italian renaissance. London: The Yale University Press, 1997.
- The Oxford history of western art. Oxford: Oxford University Press, 2000.
- Visualizations : the nature book of art and science. Oxford: The Oxford University Press, 2000.
Kemp, Martin; Wallace, Marina - Spectacular bodies: the art science of the human body from Leonardo to now. Manchester: Hayward Gallery Publishing, 2000.
Kerckhove, Derrick - Inteligêia conectiva. Lisboa: Fundação para a Divulgação das Tecnologias de Informação, 1998.
Kilimnik, Karen - Drawings. Zurich: Edition Patrick Frey, 1997.
Kittler, Friedrich A.; Johnston, John (introd.) - Literature, media, information systems: essays. Amsterdam: G+B Arts International, 1997.
Klee, Paul - Escritos sobre arte. Lisboa: Edições Cotovia, 2001.
Kosinski, Dorothy - El Artista y la cámara. Bilbao: Museo Guggenheim, 2000.
Kostelanetz, Richard - A Dictionary of the avant-gardes. New York and London: Routledge, 2000.
Kracauer, Siegfried - Teoría del cine: la redención de la realidad física. Barcelona: Paidós, 1996.
Krauss, Rosalind - Bachelors. Cambridge and London: The MIT Press, 1999.
- O Fotográfico. Barcelona: Gustavo Gili, 2002.
- Passages in modern sculpture. Cambridge and London: The MIT Press, 1981.
- The Picasso papers. Cambridge and Massachusetts: The MIT Press, 1999.
Kress, Gunther; Leeuwen,Theo - Reading images - the grammar of visual design. London: Routledge, 1996.
Kuspit, Donald - The End of art. Cambridge: The Cambridge University Press, 2004.
Kwon, Miwon - One place after another: site-specific art and locational identity. Cambridge: The MIT Press, 2002.
Le Corbusier - Corbusier sketchbooks: 1957-1964.Paris: Foundation Le Corbusier, 1982. Vol. 4
Leach, Neil (ed.) - Rethinking architecture: a reader in cultural theory. New York: Routledge, 2005.
Lee, Pamela M. - Chronophobia: on time in the art of the 1960's. Cambridge and London: The MIT Press, 2004.
- Object to be destroyed: The work of Gordon Matta-Clark. Cambridge: The MIT Press, 1999.
Lee, Sherman E. (introd.) - The Sketchbooks of Hiroshige. New York: George Braziller, 1984.
Lever, Jill; Richardson, Margaret - Great drawings from the collection of the Royale Institute of British Architects. New York: The Drawing Center, [1983].
Levinson, Paul - Digital Mcluhan: a guide to the information millenium. London: Routledge, 2001.
Lewis, Mary Tompkins - Cézanne. London: Phaidon Press, 2000.
Logan, Anne-Marie; Plomp, Michiel C. (coord.) - Peter Paul Rubens: the drawings. New York: The Metropolitan Museum of Art, 2005.
Loisel, Catherine - Ludovico Carracci. Milan: 5 Continents Editions, 2004.
Loock, Ulrich (ed.) - An arquitectura: de Andre a Zittel. Porto: Fundação de Serralves, 2005.
- A obra de arte sob fogo: inovações artísticas 1965-1975. Porto: Fundação de Serralves, 2004.
Lourenço, Frederido [et al.] - Ersnt Lubitsch. [Lisboa]: Cinemateca Portuguesa, 2000.
- Frank Capra. [Lisboa?]: Cinemateca Portuguesa; Museu do Cinema, 1999.
Lovink, Geert - Uncanny networks: dialogues with the virtual intelligentsia. London: MIT Press, 2004.
Lucas, Sarah - Sarah Lucas. Ostfildern-Ruit: Hatje Cantz, 2005.
Lunenfeld, Peter - Snap to the grid: a user's guide to digital arts, media and cultures. Cambridge and London: The MIT Press, 2000.
Lunenfeld, Peter (ed.) - The Digital dialectic: the new essays on new media. Cambridge and London: The MIT Press, 1999.
Lupton, Ellen - Thinking of type: a critical guide for designers, writers, editors, & students. New York: Princeton Architectural Press, 2004.
Maderuelo, Javier (dir.) - Arte público: arte y naturaleza: actas. Huesca: Diputación de Huesca, 2000.
Maginnis, Hayden B. J. - The world of the early sienese painter. Pennsylvania: The Pennsylvania State University Press, 2001.
Mah, Sérgio - A Fotografia e o privilégio de um olhar moderno. Lisboa: Edições Colibri, 2003.
Malabou, Catherine - Plasticité. Paris: Léo Scheer, 2000.
Malevich, Kazimir; Drutt, Mathew (org.) - Kazimir Malevich: Suprematism. New York: Guggenheim Museum Publications, 2003.
Malloy, Judy (ed.) - Women, art & technology. London: MIT Press, 2003.
Manovich, Lev. - The language of new media. Cambridge: The MIT Press, 2001.
Marcadé, Jean-Claude; Ackerman, Galia - S. M. Eisenstein: desenhos secretos. Lisboa: Quetzal Editores, 2003.
Marmor, Michael F. - Degas through his own eyes. Paris: Somogy Editions d'Art, 2002.
Marshall, Richard D. - Ed Ruscha. London: Phaidon, 2005.
Matzner, Florian - Public Art: a reader. Ostfildern-Ruit: Hatjecantz , 2004.
McLuhan, Marshall - Understanding media: the extensions of man. London: MIT Press, 1994.
Meinhardt, Johannes (ed.) - Pintura: abstracção depois da abstracção. Porto: Fundação de Serralves, 2005.
Michaud, Philippe-Alain - Aby Warburg and the image in motion. New York: Zone Books, 2004.
- Comme le rê le dessin. Paris: Musée du Louvre; Centre Pompidou, 2005.
Micheli, Mario de - Las Vanguardias artísticas del siglo XX. Madrid: Alianza Forma, 2002.
Miles, Malcom - Art space and the city: public art and urban futures. London: Routledge, 1997.
Mitter, Partha - Indian art. Oxford: The Oxford University Press, 2001.
Moholy-Nagy, László - Pintura, fotografia, cine y otros escritos sobre fotografía. Barcelona: Editorial Gustavo Gili, 2005.
Morin, France - Heavenly visions: shaker gift drawings and gift songs. New York: The Drawing Center, 2001.
Mosquera, Gerardo; Fisher, Jean (ed.) - Over here: international perspectives on art and culture. London: MIT Press, 2004.
Mulvey, Laura - Jimmie Durham. New York and London: Phaidon Press, 1995.
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